Archive for richard matheson

Four Horror Novels for Halloween

Posted in Dark Musings, Halloween with tags , , , , , , , , , , , , , , on October 26, 2015 by smuckyproductions

Happy Halloweek, everyone! To kick off prime celebration time, I’ve put together a short list of my favorite horror novels that capture the Samhain spirit. By no means is this a comprehensive list, but it scratches the surface.

For atmosphere, ghouls, and disturbing stories, these are four novels that can’t be missed.

THE HOUSE OF THE SEVEN GABLES

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Nathaniel Hawthorne’s ouvre goes beyond tedious, forced high school reads. “Seven Gables” is a classic American Gothic, stocked full of Puritan themes, eerie imagery of witchcraft and brutal settlements, and a terrific drama about a cursed family. The titular house is full of spectres not seen, but felt, memories that won’t go away. By now, a plot like this has been overdone, but Hawthorne’s gorgeous descriptions make up for any familiarity. Autumnal and phantasmal, it’s a must-read.

PET SEMATARY

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Yeah, yeah, Stephen King is great and all. But not all of his novels are suited for Halloween reading. “Pet Sematary,” though, has it all – cursed graveyards, undead children, evil spirits, and a spooky suburban setting over which the presence of death hangs like fog. On top of that, it’s beyond terrifying. The first time I read it, I had to put it down while I waited for the chills to pass so I could keep going. With both entertaining and psychological horror, and one of the most disturbing ending lines of all time, this one is perfect for ghost season.

HELL HOUSE

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A terribly cheesy title – but this is one of the best horror novels of the 1970s. Penned by weird fiction master Richard Matheson, this novel is oppressively atmospheric, with doom and dread oozing from the first pages. The house is masterfully described and full of hidden horrors – in true 70s fashion, psychedelic and sensual, too. The terse prose creates such an aura of paranoia and horror that it’s actually difficult to read through, but the suspense is such that you can’t stop. For a quick, terrifying, and entertaining read, with all the Halloween trappings, there is no better book.

THE HAUNTING OF HILL HOUSE

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If you talk about Hell House, you have to talk about Hill House. Shirley Jackson is the master of quiet, psychological horror. This book pairs her brilliant character analysis with an uncanny haunted house story, a combination that results in madness and terror. It subverts the cliches in the most disturbing way possible. And Hill House is one of the most formidable villains in all of dark literature – how can you fight a house? Finding a way to dissect loneliness and agoraphobia within the most ghostly of places, “Hill House” is a truly horrific read.

As Halloweek chugs along, keep your eyes peeled for more original Smucky stories and short films! And stay spooked – it’s the best time of the year.

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Contemporary Horror Stories to Read in October

Posted in Best Of, Halloween with tags , , , , , , , , , , , , , , , , , on October 21, 2015 by smuckyproductions

Only a week and a half until the big day! That means we’ve got to start stocking up on our Halloween-themed films and literature. The dark days are just around the corner… don’t be caught without your proper collection of spooks.

As a follow-up to Smucky’s post at the beginning of the month, I’ve dug up some other stories that fit the October bill – this time, ones that have been published in the last few decades. For some fresher terror, look no further than our list of CONTEMPORARY STORIES TO READ IN OCTOBER.

  1. JERUSALEM’S LOT by STEPHEN KING

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Mr. King is the obvious choice, but that’s because he has such a wealth of horror tales, ranging from more experimental to classic, atmospheric chillers. This one, a prequel to the amazing “’Salem’s Lot,” captures a Lovecraftian tone with degenerate themes and a terrifying secret lurking beneath an abandoned town. It’s got everything – a creaky old mansion, ghouls in the walls, a Puritan settlement that went to the devil, and a decaying church that harbors a horrific evil. And even better, it explains in part what makes ‘Salem’s Lot such a magnet for evil. Though published recently, this story is classic, in the best way.

  1. THE LADY OF THE HOUSE OF LOVE by ANGELA CARTER
Artwork by Lee McConville

Artwork by Lee McConville

Part of the monumental collection “The Bloody Chamber,” this is the only story not adapted from a specific fairy tale. Instead, it inverts the vampire myth, spinning a melancholic and beautiful portrait of a young undead woman who despises herself for drinking blood. The imagery – a shambling Gothic castle, a blood-stained wedding dress, and a corpse-like woman feasting on virile young men – is stunning. There’s quite a statement made about archaic spooks and real-life horrors, too. A must read for a rainy afternoon.

  1. THE DAEMON LOVER by SHIRLEY JACKSON

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You can’t have a best of list without mentioning Ms. Jackson. Though “The Lottery” is her most accomplished story, I find this one equally haunting, in an even more subtle way. It follows a woman who is supposed to be married, but she can’t find her groom – and no one else seems to think he exists, either. Like some of the best horror, it’s unsettling and disturbing because nothing happens, but the implications are awful. Perfect for its spectral plot and dark images of phantasmal New York in the rain.

  1. THE FUNERAL by RICHARD MATHESON
From the 'Night Gallery' episodic adaptation

From the ‘Night Gallery’ episodic adaptation

A bit of tongue-in-cheek macabre to lighten the mood this month. Richard Matheson is the master of the uncanny mundane, and this is a great example – a funeral director gets the strangest offer of his life when a man asks to host his own funeral. And the guests? They’re all monsters – from a witch to a werewolf, and some vampires thrown in between. This is a delightful mash-up of our favorite monsters, and Matheson’s genre genius elevates it to hilarity. Not scary in the least, but certainly a huge amount of monstrous fun.

  1. ONLY THE END OF THE WORLD AGAIN by NEIL GAIMAN

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Like “The Funeral,” this story is a melting pot of classic horror tropes – best of all, it’s set in Lovecraft’s fishy town Innsmouth, and narrated by one werewolf Lawrence Talbot – but it has a dreadful weight of its own. Gaiman has a ridiculously brilliant imagination, and here it wanders through dreary, fog-filled streets where hideous rites are being performed. With sea monsters, a creepy fortune teller, and a character from the Universal vault, it’s hard to go wrong.

I’m sure I’ve missed some, so send in suggestions at your leisure! And happy reading, freaks.