Archive for Paranormal

Halloween Dreams

Posted in Dark Musings, Halloween with tags , , , , , , , , on October 1, 2017 by smuckyproductions

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For the past few years, I’ve made it a tradition to reread “The Legend of Sleepy Hollow” on October 1st. It’s standard to the point of being tedious, in some ways, but Irving’s prose is iconic for a reason: it perfectly captures the silent, ephemeral exhilaration of an autumn morning for me. As he states in the story’s opening, the enchantment of Sleepy Hollow calms and lulls the mind, so much so that it allows dreams to take on the sheen of reality. While this is an extreme example of the harvest season’s charm, it rings true. The blue-sky air is so clear on these mornings, almost fragile. It seems possible that anything might materialize within it, because it’s so empty – there’s an expectation that something has to happen.

Waking up on a calm autumn morning, when the mind has a moment to reflect on the uncanny stillness, is an unparalleled sensation. The air is so quiet that it demands reverence – this is a time for ritual and transgression, for crossing the boundaries into the unreal. It fuels the imagination, but sometimes in a morbid sense; mythology and religion have embedded themselves in our subconscious workings deeply enough to make us apprehensive. We are taught that these spiritual states of calm, of reverence, are something to fear; because they can’t stay quiet for long.

That’s what makes the October season so perfect for horror film viewings – there is extremely slim possibility that those stories hold truth, but the chance is still there, enough to make fairy tales and ghost stories more viscerally effective. Horror films require a suspension of disbelief, as they’re all built on superstitions or paranoia, unlikely worst-case scenarios becoming reality. The danger is thrilling – especially because we know that those forces don’t really exist, it’s just fun to imagine the what-ifs. Until suddenly they are real, and they aren’t so much fun.

The stillness of the October season allows for dreams, pretending, to lose incredulity – it isn’t so strange to consider that reality is bent, that spirits are waiting just beyond the veil, where metaphysical impossibilities are commonplace, rather than simple imagination. It drapes a shroud over logic and replaces it with wonder. But concealing the truth does lead to danger. That’s why we indulge in safeguarded fear, to tread with the possibilities and see the horrors that they lead to. You can always back out and return to calm reality, grateful that it was all a dream.

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Fool’s Gold is available in paperback!

Posted in Updates with tags , , , , , , , , , , , , , , , , , , , on April 30, 2013 by smuckyproductions

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“Fool’s Gold,” a new vision of horror, is now available in paperback. Click HERE to buy now!

Top 5 Haunted House Films

Posted in Best Of, Reviews with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on April 23, 2013 by smuckyproductions

I have a special place in my heart for good haunted house movies. So, in honor of an age-old genre and in anticipation of my new book that uses many of its tropes, here’s a few of my favorites.

5. The Changeling (1980)

This film, extremely influential in the genre, creeped me out beyond words. While not the most well-crafted movie, the storyline is inventive and very chilling, with a great twist and heart-pounding climax. The mansion is perfect, full of hidden rooms and cobwebs. Certain scenes – those who have seen this movie will remember a rubber ball – are wonderfully spooky, and the seance sequence is one of my favorites of all time. A must-see, especially around Halloween.

4. The Woman in Black (1989)

This isn’t really a haunted house movie (the ghost can travel) and it isn’t even a movie, as it was produced for TV, but I forgive this discrepancies. I enjoyed the remake, actually, but the original is one of the only films to manifest its ghost in a truly creepy way – most movies, when they reveal their spirit, loose tension because it just doesn’t look right. The titular character is just terrifying. Again, the atmosphere provided by Eel Marsh House and the misty English countryside is spooky as hell. This movie proves that nothing can beat the British in the 80’s for sheer eeriness. Impossible to find, but worth the search.

3. The Others (2001)

While arguably not a horror film, this quiet tale is horrific enough to include here – at 13, this movie scared the crap out of me. The atmosphere and setting are all perfect, claustrophobic but also large enough to cause fear of the darker corners. Kidman is brilliant, and her character is wonderfully complex. The children’s performances are shockingly good, too. This movie is much more creepy than frightening, but I’ll be honest, the piano scene sends chills up my spine. The ending could have been cheesy, but it’s subtle and beautifully done. A fantastic movie in every sense, and the perfect ghost story for a cold night.

2. The Innocents (1961)

An obvious addition to the list. This film, with its chilling music (can’t go wrong when you have a little girl singing) and dark themes, is fantastic for any genre. Here is another film to make its physical ghosts terrifically scary – when the first apparition appears to the fabulous Deborah Karr in the window, it’s impossible not to be creeped out. The mansion is gorgeous, full of atmosphere. The ambiguous ending – was it real, or is she crazy?? – is ahead of its time, and brilliant. It’s a unique movie, so much so that I was a little put off at first, but when you learn to appreciate it, it will never let you forget it.

And, DRUMROLL PLEASE….

1. The Haunting (1963)

Four years after I saw it for the first time, this movie remains one of the scariest I’ve ever seen… and nothing happens. There are some strange noises, some creepy wallpaper patterns, and a hysterical leading woman (a brilliant performance by Julie Harris), but that’s it. It’s a brilliant piece of cinema. Not only does it raise interesting questions about the nature of ghosts, it also introduces some terrifying ones. Hill House is beautiful and frightening all at once. The cast is amazing. The script is genius. I could go on. Skip the awful remake and see this one – arguably the scariest ghost film of all time.

Honorable Mentions

– Poltergeist: My first real horror film. Would be on this list, but it’s just a little too much for my taste now.

– Full Circle: A great performance by Mia Farrow, wonderful score, cool story – worth a look.

– The Amityville Horror (1979): Rather terrible in some senses, but who can forget Jody? Great memories with this one.

– Dead of Night (1945): This isn’t a 100% haunted house film, but I love it too much to ignore it – one of the stories, after all, involves ghosts.

– The Entity: Very cheesy but very scary, it’s dated but I thoroughly enjoyed myself.

Fool’s Gold will be available for purchase TOMORROW!

Posted in Updates with tags , , , , , , , , , , , , , , on April 21, 2013 by smuckyproductions

My debut novel, “Fool’s Gold,” will be available on ebook devices through Amazon and other venues tomorrow afternoon. Stay tuned for the links and get ready to download!

The Awakening (2012): Review

Posted in Reviews with tags , , , , , , , , , , , , , , , , , , , , , on April 21, 2013 by smuckyproductions

Director: Nick Murphy
Starring: Rebecca Hall, Dominic West, Imelda Staunton
7/10

Being a sucker for a good atmospheric ghost story, I was exciting to see The Awakening available on Netflix. I had seen the trailer and was convinced that it was worth a watch. While it wasn’t exactly what I hoped for, I wasn’t wrong to check it out.

Rebecca Hall plays Florence Cathcart, a jaded woman who dedicates herself to debunking supernatural tales and legends in post-Great War England. When Robert Mallory (West) approaches her with the story of a haunted boarding school and a dead child, she decides to investigate. Her cold skepticism begins to slip once she begins encountering the ghosts of the school – and her past.

This film reminded me instantly of classics like The Innocents and The Orphanage, all works that employ sprawling mansions and foggy landscapes to create an eerie atmosphere that sets the stage for some creepy supernatural manifestations. The Awakening uses the wintry English countryside to the fullest extent, with beautiful images of misty forests and grey lakes all surrounding the gorgeously spooky boarding school. The cinematography is impeccable, creating many memorable visuals apart from the creepy stuff. If nothing else, it is a feast for the eyes. The acting is also wonderful, especially from the two female leads. In a horror industry that puts performance last, this film stands out.

The creepy stuff, however, does fall a little short. Compared to the subtlety of the camerawork and the acting, the scares are trying just a little too hard. There are a few scenes that gave me legitimate chills, but I was never very scared. In that sense, looking at the film as more of a supernatural drama puts it in a better light. It feels like an arthouse film more than anything, bringing up some poignant questions about the afterlife and the cynicism that World War I brought to Europe.

As a horror film, The Awakening doesn’t work on many levels. The scares are cliched and the ending has been seen too many times. As an arthouse drama, however, the film is well done, and even borders on brilliant at moments. The imagery is haunting, the performances are wonderful, and the questions raised are actually thought-provoking. It is, in some ways, a thinking man’s ghost story. Recommended, as long as it is looked at as something other than a scary movie.

“Fool’s Gold” Official Book Cover

Posted in Updates with tags , , , , , , , , , , , , , , , , , , on April 11, 2013 by smuckyproductions

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Recently got the cover for my book back from the designer.

The book itself, a supernatural horror with occult undertones about a haunted country club, is going through final edits and will be released at the end of April on e-book devices.