Archive for over the garden wall

9 More Films to Watch on Halloween

Posted in Best Of, Halloween with tags , , , , , , , , , , , on October 31, 2016 by smuckyproductions

Halloween is upon us again! In response to a list I wrote up last year, here are a few more gruesome delights to conjure on this, the spookiest of days.

OVER THE GARDEN WALL (Hulu)

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While really a miniseries, the accumulated episodes equal film length (about 2 hours); and you’d be hard-pressed not to watch them all at once. This is a gorgeously animated and brilliantly plotted piece of cinematic art. The color palette, full of browns and oranges, evokes autumnal perfection; and the supernatural elements are legitimately frightening. A philosophical, charming, scary and beautiful October treat.

BASKIN (Netflix)

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Haunted houses are one of the foremost attractions of the season – paying good money to immerse yourself in a four-dimensional horror film. BASKIN is an actual film that looks, sounds and feels like one of these attractions, from the (dis)comfort of your living room. With stunning and colorful imagery, a bone-rattling score and hellish atmosphere for days, this chaotic descent into hell is an eye-popping blast.

THE CURSE OF FRANKENSTEIN (Amazon)

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There are dozens of Shelley adaptations, and dozens of Hammer films, that are suitable for this list – but the Curse stands out. This is the film that started England’s reclamation of Gothic horror, in beautiful, bloody Technicolor. The images of corpses, desecrated graves, and finally the monster himself, are truly grotesque, especially considering the decade in which the film was made. It’s a ghoulish, brutal version of the Frankenstein story.

THE IRON ROSE (Shudder)

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One does not tread far into the realm of Eurohorror without hearing of Jean Rollin. He made his fame on erotic, poetic vampire films – such as Requiem for a Vampire and The Living Dead Girl – and this, while it contains no undead, is one of his finest. The plot is shockingly simple, with two horny kids stuck in a graveyard after dark; but Rollin’s direction creates a moody, existential work of dread that leaves its mental mark.

A GIRL WALKS HOME ALONE AT NIGHT (Netflix)

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While not necessarily a horror film in itself, aside from a few scenes, Ana Lily Amirpour’s ingenious production fits the season perfectly. The gloomy monochrome and the badass title character create an atmosphere of cool loneliness, echoing the quiet hours toward midnight on the 31st. It’s not frightening, but phantasmal – the perfect film for a less scary sabbath celebration. And it helps that it’s truly original, unlike anything else.

HABIT (Shudder)

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Another vampire offering, this one more traditionally frightening. Larry Fessenden’s indie game-changer starts on Halloween night as a man (played by Fessenden) meets a mysterious woman who starts plaguing his life, sexually and emotionally. It’s a slow-moving accumulation of atmosphere, evoking the Urban Gothic grunge of New York, and also depicting one of the most uncanny, elemental vampires I’ve ever seen on screen.

THE BEYOND (Shudder)

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Anyone who knows me well enough is aware that I am addicted to Italian horror films. Lucio Fulci’s cosmic, apocalyptic wackfest is one of the most fun offerings. Full of the walking dead, voodoo practices, disgusting death scenes and a sense of utter dread that sneaks up on you, this is a grand cinematic nightmare. It has all the creepy and gory flavor of a Halloween night gone wrong.

THE HOUSE OF THE DEVIL (Hulu)

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Another Fessenden production, this time helmed by new indie horror icon Ti West. Not only was it one of the first ‘nostalgic’ horror films of recent years – it recreates 80s occult atmosphere perfectly – but it’s also wonderfully creepy in its own right. This demonic chiller uses silence, isolation and a mounting sense of wrongness to create dread; culminating in a grand climax of demonic evil. Pure horror fun.

BLACK SABBATH (Shudder)

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There are several Bava films that could qualify for this list; but this one has Boris Karloff in it. What else do you need? On top of Karloff’s presence, this anthology film is stocked with amazing visuals, and is surprisingly terrifying (the final story will cause nightmares). Go for the Italian cut if you can. This is Gothic cinema at its best, and sets a standard for structuring anthology films (Italian cut only).

OVER THE GARDEN WALL: A Modern Classic

Posted in Halloween, Reviews with tags , , , , , , , , , , , , , , , on October 27, 2015 by smuckyproductions

Animation has been at the forefront of the avant-garde television movement, with countless shows – “Adventure Time” and “Rick and Morty,” to name just two – combining vividly unique styles with subversively brilliant storylines. It’s a genre-bending, form-defying renaissance. And from this revolution has come a great Halloween gift: OVER THE GARDEN WALL.

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When reading a logline or seeing the poster for the first time, this Cartoon Network-produced miniseries sounds fairly typical: two brothers get lost in a spooky wood and must find their way home. In execution, the show transcends this premise and fills it with subtle, sublime brilliance. The brothers encounter characters who reveal dark but poignant themes about isolation and loneliness, and also travel on their own philosophical journey, struggling with a purgatorial loss of hope and purpose.

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Through the music, the character design and the general atmosphere, the show places itself in an amorphous early-1900s period that is purely enchanting. The supporting characters range from animals dressed in old-fashioned clothes, grotesque witches, and skeleton-dressed pumpkins. And the forest through which the brothers must find their way is stunningly designed. The animation is luminous, with soft oranges and browns that evoke autumn perfectly. It evokes something akin to “Wind in the Willows,” with a gentle aura that can sometimes turn sinister.

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But these are just style elements. The true genius lies in the characters and stories. Throughout the ten episodes, the brothers encounter about as many different characters – my particular favorites were Auntie Whispers (voiced by Tim Curry) and the pumpkin people – who each evoke something of the lost purpose that the brothers feel themselves. And the villain, a terrifyingly simple creation called The Beast, stands as a testament that the greatest evil is often the most invisible and enticing. I won’t reveal the theme that this creature represents, but suffice to say, it culminates in a heartbreakingly beautiful finale.

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“Over the Garden Wall” also holds itself as one of the greatest examples of animated horror that I’ve seen. The Beast being the greatest example, but supported by a number of other ghouls and wicked creatures, this show displays an unsettling ability to scare the viewer – all without breaching its target audience of young viewers. For this reason, and because of the atmosphere, it’s ultimate Halloween viewing – standing alongside “The Nightmare Before Christmas,” I dare say. Horror does not have to be hardcore to unsettle; in fact, subtle can sometimes be scarier.

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With terror, philosophy, and beauty combined, “Over the Garden Wall” feels like a classic birthed in our modern era – not only for its craft, but for its sincerity. No note of this show comes off as false or pandering. The creators truly believe what they’re making, and each frame is instilled with that passion. It feels honest and raw, which causes it to touch the viewer so much more intimately. The humor, the fear, and the sadness all come from a real, truthful place. It’s cathartic, in the end – and who ever thought a children’s show could be cathartic? That’s why it transcends its boundaries and creates something universally brilliant. And, it so happens, one of the best Halloween watches of all time.