Archive for Gore

Films That Haunt Me: RAVENOUS

Posted in Uncategorized with tags , , , , , , , , , , , , , on November 30, 2015 by smuckyproductions

As December approaches and the air grows cold, it’s time to start talking about those chilly horror classics best consumed in front of a fire while the wind howls outside. What better time to talk about the Wendigo? This elusive and freakish beast is little scene in film, which is unfortunate – it appears to great effect in one of the more unique horror offerings of the last 20 years, Antonia Bird’s RAVENOUS.

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Like an unfortunate number of 90s films, this one got misrepresented by its marketing team. While trailers make it look like an action-packed gore-fest, Bird has actually created a bizarre but terrific mix of pitch-black comedy and ruthless horror. The film follows a U.S. soldier who, disgraced during the Spanish-American war, is sent to a remote California post where nothing happens… until an unknown man stumbles in from the wilderness, half-frozen to death and terrified. He claims that his traveling group got lost in the mountains and had to resort to cannibalism – an act that possesses the eater with an ancient vampiric evil. When the soldiers go to search for the man’s crew, they realize the story is truer than they expected… and far more hideous.

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There is a veritable melting pot of genres in “Ravenous.” It’s a war epic, a vampire movie, a bloody slapstick routine, and a grand horror story straight out of Blackwood. This may have been what drove many critics and audience members away – but for those who are open to the originality, Bird mixes the genres amazingly well. It’s one of the most original films to come out of that era of horror – and possibly one of the bloodiest. When it isn’t busy being a riotous satire, it actually gets pretty frightening – there were more than a few scenes that unsettled me to my core.

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It’s fascinating, too, for its brilliant evocation of American legend. The images of the army fort and its ragtag team of soldiers are straight out of “Dances with Wolves,” but far more interesting, as Bird soaks them in gallons of guts. The Wendigo myth – something pilfered from Native American culture as a symbol of starvation and desperation – is used to comment on the nature of the American Dream: devour before they devour you.

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Sure, this theme is drawn a bit too boldly in the film – they say various versions of the above about twenty times – but it pairs the overt message so powerfully with brutal images of man eating man. The film is so ironically masculine, loud and proud about its violence, that it ends up tearing down those ideas in the same way that characters rip each other apart. Whatever patriotism the film might have had is mauled, slaughtered without mercy. It may be one of the more honest depictions of the pioneer myth. These soldiers are animalistic, and they kill like animals.

If this all sounds too crazy, then this film isn’t for you. But its gory humor and horrific statements about Americana are worth exploring. Especially as the winter sets in and the snow seems to call out, scratching hungrily at the window, begging to be fed.

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Forbidden Tomes: BOOKS OF BLOOD I-III by CLIVE BARKER

Posted in Forbidden Tomes with tags , , , , , , , , , , , on November 28, 2015 by smuckyproductions

Logic would never place horror and erotica in the same field. But history goes to show, these two genres often cross over, finding commonalities in each other that perhaps should not be uncovered. For the most part these crossovers are subtle and quiet. Not so with Clive Barker, who broke open the pairing with his debut work, the BOOKS OF BLOOD.

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First published in 1984, these stories combine two things that often go together – sex and death – but does so in such a blatant, shameless, and powerful way that is so rarely seen. Clive Barker is obsessed with flesh. His prose style is unflinching and brutal, often satirical, but always engrossing (emphasis on gross) in its exploration of the human body. It makes sense, then, that he would focus his stories on the most corporeal of all human acts: fornication and decay.

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The three-part collection is split into different forms of stories. There are traditional horror yarns – “The Midnight Meat Train,” “Rawhead Rex,” and “Scape-Goats,” et cetera – and more comical stories, like “Son of Celluloid,” “Sex, Death and Starshine,” and “The Yattering and Jack.” My favorites, however, occupy a bizarre in-between of philosophical fantasy and horror: “In the Hills, the Cities,” “Dread,” “The Skins of the Fathers” and “Jacqueline Ess: Her Will and Testament” are the best examples. Here, Barker creates a space in which reality bends, then shatters altogether, questioning the nature of humanity itself.

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In the latter stories especially, the human body becomes an almost celestial plane of horrors, a conduit for the supernatural and the surreal. It might be acceptable to say that the titular story – “The Book of Blood,” kicking off Volume 1 – lays out Barker’s thesis in this regard: “The dead have highways,” he begins, and ends by showing the dead breaking into our world through those highways, literally engraving their words into a boy’s skin. The flesh of his characters is always so vulnerable, yet powerful, too – Jacqueline Ess uses the power of her sexuality to actually alter men’s anatomies, and an entire town joins together to create a singular giant in “In the Hills.”

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What truly makes me love these stories is the sense of freakishness, of abnormality, that pervades the best of them. Barker infuses his protagonists with an aberrant streak that might make them frightening, but also makes them sympathetic, heartbreakingly so. Those of us who have felt like freaks can find voice in these monsters. It is the power of horror, to find a heart in the most horrific of things, and Barker understands this better than most. His stories find the purest core of horror – no trappings, no undue elegance, just raw blood, terror, and beauty.

New episode of MINUTE MORBIDITIES: GROOMING

Posted in Updates with tags , , , , , , , , , , , , , on October 23, 2015 by smuckyproductions

Good morning, horror fans! A gruesome Friday treat for you: the third episode of Minute Morbidities has been released. (And it’s not for the faint of heart.)

Appearance is very important.

Don’t forget to share the scare – tell your friends and family about this nasty web series!

MINUTE MORBIDITIES – A New Webseries from Smucky Productions

Posted in Updates with tags , , , , , , , , , , , , , , , on October 13, 2015 by smuckyproductions

As Fall creeps onward, Smucky Productions has been brewing some special horrors for you sickos out there. A gruesome little morsel called MINUTE MORBIDITIES.

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This new offering consists of ultra-short videos that deal with the macabre everyday, such as pesky neighbors, demanding pets, close shaves, and anything else you can imagine. But add a dose of nasty neuroses, and you’ve got Minute Morbidities.

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The first episode will premiere this week.

Watch out for these unique and pocket-sized terrors, just in time for the Halloween season! And in the meantime, CLICK HERE to watch some of Ben Larned’s other films.

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Enjoy, ghouls.

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Fool’s Gold is available in paperback!

Posted in Updates with tags , , , , , , , , , , , , , , , , , , , on April 30, 2013 by smuckyproductions

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“Fool’s Gold,” a new vision of horror, is now available in paperback. Click HERE to buy now!

FOOL’S GOLD AVAILABLE FOR PURCHASE!

Posted in Updates with tags , , , , , , , , , , , , , , on April 23, 2013 by smuckyproductions

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CLICK HERE to buy Fool’s Gold for only $2.99. If you would rather have a hardcopy, the paperback will be available soon.

Support an up-and-coming author and BUY NOW!

“Fool’s Gold” Official Book Cover

Posted in Updates with tags , , , , , , , , , , , , , , , , , , on April 11, 2013 by smuckyproductions

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Recently got the cover for my book back from the designer.

The book itself, a supernatural horror with occult undertones about a haunted country club, is going through final edits and will be released at the end of April on e-book devices.