Smucky’s Best Horror Films of 2015

The madness that was 2015 has come to a conclusion. Looking back, there is so much to celebrate in horror – a veritable resurgence of this wondrous genre. Now Smucky’s Grave reflects on the favorite horror films that graced the screens this year.

THE HALLOW

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Creature feature, body horror, and possession drama – all in one outrageously fun movie. Born and bred in Ireland, which is full of untapped spook stories, this indie effort shows that monster movies can still be scary. It’s gross and imaginative, but it also has a heart beating at its center.

CREEP

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Found footage is generally the worst. But leave it up to Mark Duplass and the Blumhouse folks to come up with a hilarious, subtle, and ultimately horrific meta-film about loneliness and madness. This quirky piece of terror might be too weird for some folks, but for those who are weird already, it speaks volumes. I wanted to take a shower after the ending.

WE ARE STILL HERE

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Dark Sky Films does it again with a wonderfully creepy homage to Lovecraft and Fulci. The fact that those two names show up together is enough to send horror nerds flailing in excitement. What begins as a spooky haunted house flick soon descends into gore-soaked cosmic horror, all while being legitimately scary. A ball of bloody fun, this one.

CRIMSON PEAK

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It’s too much to hope for that not one, but TWO, films reference Italian directors. Guillermo del Toro’s lush, stunning love letter to Gothic romance is dripping with Bava-esque visuals and intense passion that most of Hollywood has effectively killed. While not exactly horror, this film embodies the Gothic tradition so well, and makes for singularly spooky entertainment.

GOODNIGHT MOMMY

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It’s no accident that this film was Austria’s submission to the Oscars this year. Rarely has a film been able to sustain such unbearable tension, all by withholding information – until the brutal, bone-rattling end. This horrorshow seems like a Gothic chiller set in a cold modernist world, but by the conclusion, it becomes so much more. I still shiver when I think of the images here. Not for the fainthearted.

IT FOLLOWS

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Sure, this film is over-discussed. But there’s a reason for it. In an age when most horror is either a remake or a spoof, this film manages to pay homage to the classics, tear them down, and rebuild them into something new. It’s honestly terrifying, surprisingly beautiful, and uncannily subtle in its presentation of nebulous millennial fears. We have witnessed the birth of a new genre icon here, and a testament to the power of indie cinema. What a way to celebrate cinema.

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There are quite a few films that Smucky’s Grave missed this year, including: “The Final Girls,” “Unfriended,” “Krampus,” “The Visit,” “Bone Tomahawk,” and “The Boy.” Here’s to hoping that 2016 allows for more time to explore these well-hyped films.

HAPPY NEW YEAR, GHOULS!

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