OVER THE GARDEN WALL: A Modern Classic

Animation has been at the forefront of the avant-garde television movement, with countless shows – “Adventure Time” and “Rick and Morty,” to name just two – combining vividly unique styles with subversively brilliant storylines. It’s a genre-bending, form-defying renaissance. And from this revolution has come a great Halloween gift: OVER THE GARDEN WALL.

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When reading a logline or seeing the poster for the first time, this Cartoon Network-produced miniseries sounds fairly typical: two brothers get lost in a spooky wood and must find their way home. In execution, the show transcends this premise and fills it with subtle, sublime brilliance. The brothers encounter characters who reveal dark but poignant themes about isolation and loneliness, and also travel on their own philosophical journey, struggling with a purgatorial loss of hope and purpose.

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Through the music, the character design and the general atmosphere, the show places itself in an amorphous early-1900s period that is purely enchanting. The supporting characters range from animals dressed in old-fashioned clothes, grotesque witches, and skeleton-dressed pumpkins. And the forest through which the brothers must find their way is stunningly designed. The animation is luminous, with soft oranges and browns that evoke autumn perfectly. It evokes something akin to “Wind in the Willows,” with a gentle aura that can sometimes turn sinister.

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But these are just style elements. The true genius lies in the characters and stories. Throughout the ten episodes, the brothers encounter about as many different characters – my particular favorites were Auntie Whispers (voiced by Tim Curry) and the pumpkin people – who each evoke something of the lost purpose that the brothers feel themselves. And the villain, a terrifyingly simple creation called The Beast, stands as a testament that the greatest evil is often the most invisible and enticing. I won’t reveal the theme that this creature represents, but suffice to say, it culminates in a heartbreakingly beautiful finale.

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“Over the Garden Wall” also holds itself as one of the greatest examples of animated horror that I’ve seen. The Beast being the greatest example, but supported by a number of other ghouls and wicked creatures, this show displays an unsettling ability to scare the viewer – all without breaching its target audience of young viewers. For this reason, and because of the atmosphere, it’s ultimate Halloween viewing – standing alongside “The Nightmare Before Christmas,” I dare say. Horror does not have to be hardcore to unsettle; in fact, subtle can sometimes be scarier.

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With terror, philosophy, and beauty combined, “Over the Garden Wall” feels like a classic birthed in our modern era – not only for its craft, but for its sincerity. No note of this show comes off as false or pandering. The creators truly believe what they’re making, and each frame is instilled with that passion. It feels honest and raw, which causes it to touch the viewer so much more intimately. The humor, the fear, and the sadness all come from a real, truthful place. It’s cathartic, in the end – and who ever thought a children’s show could be cathartic? That’s why it transcends its boundaries and creates something universally brilliant. And, it so happens, one of the best Halloween watches of all time.

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